Good solid episode with all the tension, kitchen sink drama and satisfying (if a bit sad) ending we have all come to expect from D4.
What grabbed me the most though was the great pleasure of seeing Louise Homfrey in more than just a 'keep that noise down' role. She plays a boarding house landlady with a theatrical past. If I were writing a biography of Louise Homfrey the way some people write biographies of Margaret Dumont, I would definitely use the line she gives early in the piece regarding 'every night lights, the applause, I never missed a performance, not one, oh I was in great demand.'
These are a couple of her more unsavoury boarders who, guess what, are crims.
One more thing to say about this one - don't get me wrong, it's great, but it's not especially great - is that for some reason it begins with the old credit sequence, abandoned a few months previously. Wonder what that was about.
Not only will summer ending be a good thing in itself but it will reduce the number of summers before we see a conclusion, for there must be a conclusion, to the right-wing insanity of much of the world at the moment. IE the end of summer will be a hurdle. Indeed if we see, as we surely must, Trump's power reduced at the US midterms in um 2027, then we really only have one full summer to get through.
I have made a decent writerly space for myself on my small balcony which actually works well although the wifi is not always brilliant (but still, it gets there more or less). It was a junk space for years and I will most definitely sometime be locked out there you bet but I also find it very good for getting stupid little things done, like today I finessed my first lecture of the year. This is the so-called view from the balcony - pretty ridiculous I suppose, though it is definitely trees (and slightly miserable pot plants which I water lovingly every day).
27 June 1973. I am not quite sure when it was - probably about season 3 - was the absolute worst Homicide episode, ending in a christmas s...
