Sunday, August 29, 2021
leona schlutz
I don't really have anything to report so I thought you might like to hear some news from a century and two days ago, as published a century ago in the (South Carolina) Abbeville Press and Banner for 28 August 1921 p. 5. You have to love the last name 'Schlutz', well at least I do.
Saturday, August 21, 2021
fab
So as you can see I am fairly well advanced in this, my most recent audiobook experience, and yet another that proves that when it comes to me and audiobooks, it's all one big bedtime story (things like this - where I basically know the story already and only want a little remix or a few easter eggs - or crime fiction, which is similarly affirming, for some reason).
I know you don't care but I'll just tell you, and I am the author of some pretty lazy, shitty opinionated twaddle which apparently at one time I allowed to go on the market with my name on and I probably thought 'this'll show 'em', but this has its fair share of that, full of schoolboys' pencil case bravado 'the best record he ever made', etc kind of stuff. The wikipedia entry on Sounes, which is unreliable reportage, claims that in an (unsourced) podcast Sounes conceded he had let his opinion of McCartney's music dominate this book and it does. That's one thing, but his opinions are so boring (and I note that his books have either been about true crime or white renegades of the 60s).
Linda McCartney (79 years and 11 months old today except she died 25 years ago) doesn't need me to defend her by the way but Sounes is a prick about her (and Yoko) surprise surprise, and rather than have an interesting take on her, he has the same dull as ditchwater take on her as all the hoary musos who didn't understand why Paul McC didn't want to play with them but did want to play with her. However, Sounes does say that Linda had a good figure.
So a lot jumps out at me from this but the thing that really shitted me the most was Sounes' description of the Maharishi as knowing which side of the pappadum his curry was on.* But I am sure there'll be more as I go. I was similarly surprised he said that Wild Life only had two good songs on it, as I assumed he would follow the tired line on this (eg that it has none). He gives Red Rose Speedway 3/5 as well which is surprising, because he clearly doesn't get Wings, generally speaking.
On the plus side, he scrapes the sides of the barrel and actually does find a few people who no-one has spoken to yet from the late 60s/early 70s who have some kind of minor bystander stories to tell, though usually you end up thinking, there's a reason why these stories haven't been heard before. Fifty years on, let's be fair, people are mainly going to tell the story 'everyone knows' - with perhaps a tiny frisson of their own experience. I don't even really see the point of interviewing people decades later about things everyone knows about.
Update: another thing about this particular production - the narrator's capacity with accents - well, there's nothing terrible about the accents I suppose at least they are fairly alright as accents (the Frank Ifield sucks a big turd in the mud). I dread Denny Laine's comments, of which there are many, because of the Birmingham accent, which is a bit of an abomination as executed here.
* The British tendency to typify people by the food they eat is as rank as the American tendency to describe people from 'foreign' countries by dint of the native animals. I don't know what kind of psychology this reveals but fuck both.
Update final assessment: Look, I made to the end, so that's a thing. Once PMcC and LMcC became vegetarian (I really thought this happened earlier than the 80s but Sounes says nah) he cannot bear to avoid mentioning it constantly, it's like the man (Sounes) has a problem. Every time PMcC plays a show, he can't go on stage without 'sitting down to his usual vegetarian meal', etc. Heather Mills gets a lambasting of course and I suppose it's nice for Sounes to find a woman he can actually legitimately savage but I don't think it's necessary to non-ironically refer to her as a 'whore'. Well, anyway, I enjoyed the life, to the degree I would even listen to/read another PMcC biography, particularly one that was written by someone with some takes more interesting than the conventional ones (whether I agreed with them or not).
mettle
Helmi spends her days cowering from the world or lashing out a la Bobbie when we first met her in Home and Away, 'rack... off!' If this was a proper soap opera her narrative arc would have resolved by now but she is resistant to conventional western storytelling tropes and won't be so easily pacified. Here she is looking out onto our balcony, fascinated by (I assume) the smell and sounds of the world, but very unwilling to step out. Well, we have to do these things little by little I reckon and if she had a few minutes at the balcony door every day, sometime in the next five years she might forget herself and accidentally put a foot forward.
The weird woven cat figure which Carmel gave me did capture Helmi's attention briefly - I don't think she was fooled by it but I think she did sort of see it as one of those extra pieces of ambient interference sent by the universe to mess with her waking nightmare of a life. Paranoid. Still, I take heart from the fact that she did sit there and take an interest in the world for a brief time. I think perhaps there is hope for her yet, or at least, there's hope for me continuing to think there's hope for her.
Sunday, August 15, 2021
more honore bowlby-gledhill - her disappearance in early 1926
I know you couldn't stand to wait, neither could I. This is a picture of Honore Cecilia Paget in the 9 May (Sunday) 1926 edition of the Atlanta Constitutional about young British girls who had mysteriously disappeared and reappeared. It was a phenomenon in 1926, apparently.
Saturday, August 14, 2021
honore bowlby-gledhill again
I am always being rude about genies but my goodness they accidentally serve their purpose sometimes like silkworms or yeast. I mentioned last week or the week before my desire to know more about Honore Bowlby-Gledhill and expressed my assumption that she was lost to/in South America (I implied Brazil) in the mid-1940s but no. A random family tree online revealed she was married a third time in 1952 to François Hurault de Vibraye (1914-1977), aka Ludovic-Régis-Henri-François Hurault de Vibraye, but better known (if known at all) as François Valorbe, a man who apparently 'wrote fantastic and humorous tales close to surrealism', according to French wikipedia. There is one of his books, above. The Huraults were/are proper French nobility, it would seem, and still retain their chateau in Cheverny. None of the Valorbe material seems to have been published in English which is a shame for me (or: it's a shame I can't read French) but what I really want to know is what happened to Honore after 1957.
There has to be a story there. Her parents died when she was young, but she was very wealthy, you'd assume, then she married Vivian Bowlby in 1928 (she was 21), then Ralph Gledhill about five years later (1932-3), and if she was not actively spending the next decade trying to divorce Gledhill then at least she publicly expressed the ambition to do so within months of the wedding. Presumably she achieved this by 1952 when she was 45 and married Hurault/Valorbe, who was seven years her junior, and who must have been rolling in it (by this time she was known as Honor Cecilia Paget, by the way). Of course what is most interesting to me is her bohemianism - the proprietorship of the Dead Fish Cafe, the shooting at the Coit tower, the marrying of a reasonably unknown (?) but respected humourist/surrealist from a rich and established family. I bet she was a squeal.
I found a picture of the building that was to become the Dead Fish Cafe. It's the building with the person standing out the front, but this picture is from 1920 not 1933 when HBG was shooting out its front window/from outside it in the street at the Coit tower. It's from p. 48 of San Francisco's North Beach and Telegraph Hill By Catherine A. Accardi. The story of HBG shooting at the Coit Tower is legend in quite a few San Francisco history books but no-one takes it any further than that one incident. And why would/should they.
Friday, August 13, 2021
chased through town
Clearly, illustrations for something (and judging from the first it might have been intended to be a book called Chased Through Town). I have no recollection of any of this, which seems to be something I say quite often these days. This was in a box (not a box I would have typically considered to be one of the boxes of crap, but maybe it is/was) with a printout of a phd thesis draft from someone I haven't spoken to or thought about really for over a decade, and who I barely knew, and I can't imagine why I had it.
Thursday, August 12, 2021
curation and archiving
So it's one thing to move house, and obviously quite another to totally put everything you own in the right place. I'm really lucky (or canny) because this apartment has a lot of storage space, even not counting the second bathroom which I do not use as a bathroom. But I did of course stash stuff away in places that it didn't necessarily want to be permanently and so this morning I thought I'd address a bit of that. Mainly, all the 7" singles I had in the cupboard, just stacked up willy-nilly (there was also an unexplained handful shoved in a box I unpacked which I then put in the upstairs bookshelf- random). So, with a view to perhaps relocating the cupboard all the 7"s were in, I started pulling them out and going through them. I had actually thought about them in the abstract some time ago in a kind of almost out of sight, almost out of mind kind of way - do I need them? Maybe I don't. The thing is, I could kind of sell them, I guess, but I don't even really need to do that - I suppose I would rather have the money than the space they would take up, yeah. I have some singles that I bought new in the early 80s and have played once or twice. One in particular I came across and remembered that when I bought it from the artist I wrote them a letter saying, I don't regret buying it (which was about the nicest thing I could say) and they responded: that's not a common response (or words to that effect). Anyway, that single is now worth over $100 (discogs says it's worth $125, less their $10 of course. Others have paid more for the same thing). I suppose I don't mind getting that kind of money from someone to be relieved of a record I actually think is kind of shit, but at the same time, I feel bad that someone is so dumb as to think it's worth owning. By the same token, I am obviously that dumb too (now I think about it, had I looked it up on discogs and seen that no-one's ever paid more than 20c for it, then I'd just throw it out like I threw out the really scratched up copy of William Shakespeare's 'My Little Angel', a song by the way I adore, but I have it on at least one LP, maybe more, and don't need it on a 7", that's for sure. You know what I'm going to do? I'm going to sell a bunch of these singles somewhere - not online, but to a shop I trust, so I won't make a huge amount but nor will I have to have a little place to keep these things and fret over their condition etc - and use the money wisely, probably putting it towards one of those albums I've been meaning to put out for years, perhaps the asylum seekers fundraiser record I made with Mia ten years ago. It has some good stuff on it, seems a shame to let all that effort go to waste, not just my effort.
As I went through all these records I found a lot of junk too including broken and otherwise fucked records like the one above. I don't know what it is, where it came from or how it came to have a bite taken out of it, but there you go. Luxaflex claims to have 'all the answers', I actually thought they were the company that made the flexi, i.e. a luxaflexidisc but looking them up on line I am now of the opinion that more likely it's Luxaflex the awnings/blinds company, not directly connected with the manufacture of the record. Anyway, it's broken, I should just throw it away shouldn't I. I actually find that kind of thing hard to do. Conversely once I do it, I don't think of the thing ever again, so that's a bit ridiculous.
Monday, August 09, 2021
Wednesday, August 04, 2021
honore bowlby-gledhill
Spokane Spokesman-Review 22 November 1933 p. 3
Secondly, yes we all know she was born in 1907 in Newfoundland, and that her parents were Alfred Wyndham Paget and Alpina Viti (MacGregor) Paget, and that both her parents died in 1918 within weeks of each other after which she was a Ward in Chancery, whatever that is, and that she was married firstly to Vivian Russell Salvin Bowlby between around 1928 and 1930, then Ralph Gledhill.
And then, as we all know, she was trying to divorce Ralph Gledhill in 1934 and then still trying to divorce him in 1946 and not doing great at it.
Siskiyou Daily News 15 February 1946 p. 5But then what happened?!
Hopefully one day in the next hundred years some random from Sweden (or anywhere else in the world) will let me know. Because I am pretty sure that this blog post will now rise close to the top of the pile in hits if anyone goes looking for Honore Bowlby-Gledhill (talvez alguns de seus filhos octogenerianos no Brasil leiam isso) and it will catch some more up-to-date information.
(Cool news update 14 August 2021: searching on her maiden name I discovered that on 11 November 1952 she married François Hurault de Vibraye, Comte, and they were divorced in 1957.)
what a relief
From Farrago 21 March 1958 p. 3. A few weeks later (11 April) Farrago reported that the bas-relief was removed ('and smashed in the pro...
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As a child, naturally enough, I watched a lot of television and it being the early 1970s when I was a child, I watched a lot of what is no...
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This is all getting very Daniel Clowes. It is very irritating that the black boxes (as per above) are basically illegible. I think the one h...